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Going to the movies should be fun. Sometimes that fun is just a byproduct of a great film, expertly made, that blows you away with a deep understanding of human interaction and dramatic arcs. Other times the fun comes from sitting down in a darkened theatre, shutting off your higher brain functions, eating some popcorn and letting a movie sweep you away with action and adrenaline-fueled fun. One is not better than the other. They serve different functions. TRANSFORMERS: DARK OF THE MOON is the latter and there is absolutely nothing wrong with that.

 

 

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There has been a lot of hype surrounding the latest TV project from Steven Spielberg. This isn't the first time Big Steve has taken aliens to the small screen. Back in the early 90s, Spielberg brought forth two ambitious TV projects in the forms of SEAQUEST and EARTH 2. 

Both were no where near the quality they should have been and both had an identity crisis soon into production. 

Spielberg is back full tilt in TV production again with FALLING SKIES and FOX's upcoming TERRA NOVA, both are budget busting sci-fi extravaganzas that are looking to push the envelope. FALLING SKIES with its aliens and TERRA NOVA with its dinosaurs. 
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Pixar Animation Studios has a knack for dreaming up wildly inventive story ideas and then seeing them through to finished film with a consistency of quality that no other studio has been able to match. Movies like WALL-E, UP and the TOY STORY series have critics drooling over themselves like Anton Ego over a plate of RATATOUILLE. Then in 2006 Pixar released the first CARS to middling reviews. It was deemed an acceptable movie, good by some standards but not great like we have come to expect from Pixar.

Then something strange happened. Children latched on to CARS. More so than any other Pixar film CARS spoke to the youth market. Toy sales went crazy. Sure parents weren’t as sucked into the story as they might perhaps like – the movie being equivalent of watching cars race in circles around a track – but they didn’t argue when their children wanted to watch it again and again. CARS was a hit with the audience Pixar was created to please. That has to be a win in anyone’s book.

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The braintrust at Warner Bros stalled for a sec on Monday morning. Green was supposed to mean go for the studio to start churning out superhero flicks like there is no tomorrow. But movie-goers forgot to light the lantern.
 
In a summer movie season that was supposed to be the "summer to end all summers", we have only had one movie, Hangover Part 2, open to past $100 million. Everything else has been well stuck in the mud. What happened? Where are all the grosses?
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Science fiction as a genre is based off of combining two elements — science and fiction — to create something fun and exciting. SUPER 8 carries on this tradition by combining the talents of J.J. Abrams and Steven Spielberg. Right from the opening credits you can feel the two men working together.

Peaceful music plays over a black screen and Spielberg’s Amblin logo appears on screen, harkening back to another era of films. This is followed by Abrams’ Bad Robot logo and the meeting of minds is felt for the first time. In the past the Bad Robot has run quickly through the fields of the logo and suddenly peered out at the audience, fast movements and hard edges that go along well with Abrams’ more action-oriented fare. In SUPER 8, however, the music remains serene and even the speedy robot seems to be frolicking through the fields rather than rushing headlong towards the movie. When it stops and peers back at the audience you are reminded of Spielberg’s own alien creation, E.T.

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Well, X marked the spot over the weekend. As the X-MEN: FIRST CLASS landed yet again to win the weekend.

This fifth film in the expanding series hauled in $55.1 million. This is far lower than the previous three films but beats the opening of 2000's X-Men and because they are rebooting the franchise from square one with not that well established actors the studio is not nervous.

The movie cost $160 million to produce and has already made close to $120 million if you take in worldwide grosses. By the time it hits VOD it should be lapping up the gravy train.

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Good Neighbours FT web.mov

GOOD NEIGHBOURS is now playing in Toronto and Vancouver

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Hello true believers,

Dr. Kish, The Movie Guy here with another look at the wild and wacky world of movies.

Our top story takes deep into the heart of Bangkok where three rather foolish Americans are stumbling around half drunk. Our feisty reporter Viz Vixen is on the scene with this story.

Viz: So, gentlemen, what exactly happened?

Bradley: It happened again!

Zach: Honestly, I didn't do it this time!

Ed: Sure you didn't Alan, we woke up with no memories, again!

Viz: So, you are saying this has happened before?

Ed: Yes, it happened it Vegas. But what happens in Vegas, stays in Vegas. It's not supposed to happen in friggin' Bangkok!

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Ahoy, mateys! I see a treasure island off the port bow!

Johnny Depp took his fourth turn as Captain Jack Sparrow to the top of the box office. PIRATES OF THE CARIBBEAN: ON STRANGER TIDES looted $98.2 million over the May long weekend. The movie set box office records overseas proving once again how the movie biz has become a global marketplace.

PIRATES dominated Europe where sequels rule — $20.5 million in Germany and $19 million in the UK. The movie cost $250 million and hauled in $286.5 overseas. Could Captain Jack be looking at a fifth entry? That depends on whether international numbers are big enough to warrant a fifth flick.

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Hello peeps!

We are back with another report from the wild and wacky world of box office showdowns.

THOR and his mighty hammer held off those rabid BRIDESMAIDS to remain the box office titan for a second straight weekend. Is it just me, or does that sound like a porn movie name? Thor and the rabid Bridesmaids.

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